Our Principles

AI:OK exists because AI is changing music faster than the industry can respond. We believe the people most affected by that change - creators, professionals, students, and institutions - deserve more than headlines and hype. They deserve a structured, honest, evidence-based way to understand what is happening, why it matters, and what they can do about it.

Literacy before opinion

The module does not tell you what to think about AI. It gives you the structure to think clearly - how the system works, what the tools do, who holds the power, and what your position is. We believe informed judgement matters more than fast takes.


Music first, not technology first

Most AI literacy starts with the technology. We start with the industry it is changing. Music is universal, culturally intimate, and the place where AI disruption lands first. Understanding music is the way in - not the special case.


A middle-aged man with gray, curly hair and a beard, wearing a black blazer and white shirt, looking thoughtfully to the side.
Dr. Martin Clancy, AI:OK Co-founder

Judgement, not just information

Every lesson ends with three questions — understanding, application, and judgement. The first two test knowledge. The third asks what you would actually decide. We believe literacy is not complete until you can form and defend a position.


Built by practitioners, not technologists

The programme was created by people who work inside the music industry, not outside it looking in. The research, the case studies, the examples, and the arguments all come from lived experience of the systems AI is changing. That is why the content resonates with the people it is designed for. 


Meet AI:OK

AI:OK is the trustmark for music AI. It is a per-use certification and labelling system for music artefacts - tracks, stems, catalogues, training data, and AI-generated outputs — designed to signal AI governance compliance, provenance, and ethical use across the music industry.

The trustmark is built on an expert system developed at Dublin City University and commercialised as a spinout under Enterprise Ireland Commercialisation Fund CF-2023-2241-1. It is led by Dr. Martin Clancy, with advisory support from Yvan Boudillet (Music Tech Europe) and strategic partnerships including MishMash Centre Norway.

A woman in a green shirt and jeans working with sound mixing equipment in a recording studio, with computer screens and speakers around her.

Let’s begin the conversation

Whether you are interested in the programme, exploring it for your organisation, or want to discuss a partnership — we would like to hear from you.